CONGRATULATIONS TO NEW WEBSITE PRINT GIVEAWAY WINNER, JIM K. FROM MICHIGAN, AND HIS SELECTION OF "SUMMER VISITOR" - RUBY-THROATED HUMMINGBIRD!
FREE STANDARD SHIPPING ON ALL LIMITED EDITION PRINTS AND LIMITED EDITION BRONZE SCULPTURE Within the Contiguous U.S.

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Art Terms/Business FAQs

 

ART FAQs
(OR DEFINING THE ART TERMS AND THE BUSINESS END OF HOW IT ALL WORKS!)

WHAT IS THE DIFFERENCE BETWEEN A “LIMITED EDITION” AND AN “OPEN EDITION” PRINT?
FINE ART PRINT ORDER FAQs
BRONZE SCULPTURE - THE PROCESS AND ITS PEOPLE, AN INTRODUCTION TO THE WORLD OF BRONZE

 

IN GENERAL, WHAT IS THE DIFFERENCE BETWEEN
A “LIMITED EDITION” AND AN “OPEN EDITION”?

The terms "Limited Edition" and "Open Edition" are used in both the Print and the Bronze markets.  In Fine Art, a “Limited Edition” refers to a specified number of reproductions of a specific work of art. 

Fine Art Prints - In the Print world, exclusive “Limited Edition” prints are created at a certain size, on a certain premium substrate, and in only a limited number.  In contrast, an “Open Edition” print can be reproduced on many surfaces, in many different sizes, and in as many ways and as many times as desired.  Open edition prints will cost less due to availability and production methods.

Bronze - In the Bronze Sculpture world, a “Limited Edition” bronze refers to a very exclusive specified number of sculptures being reproduced from a specific work of sculpture.  (An "Open Edition" bronze would be similar to and Open Edition print, in that there would be an unlimited number of sculptures that could be produced from one work.)

 

 

 

LIMITED EDITION PRINTS

WHAT IS THE DIFFERENCE BETWEEN A “LIMITED EDITION” PRINT AND AN “OPEN EDITION” PRINT?

In the Fine Art Print world, a “Limited Edition” print means that a certain 2- dimensional art work will be reproduced as a Giclée print only a set number of times on certain defined premium surfaces and in certain defined sizes.  (For my work, I have selected 2 different surfaces:  a premium quality acid-free archival canvas in two depths [either a standard ¾” depth that can be framed [either through me or your own choice of framer, or as a 3” colored-edge “gallery wrap” whose edges either repeat the print, or are a solid color, and which remains unframed when hung]; and  a premium quality acid-free archival 100% cotton rag watercolor-weight paper [which can be matted and/or framed, again, either through me or your own choice of framer].) 

The number of prints to be produced from a certain painting/scratchboard/photograph are set at the artist’s discretion.  This means that if I decide there will be 125 prints in a limited edition, only 125 Giclée prints will ever be produced in this manner.  Each of these premium prints will be personally signed and numbered by me.  (Located somewhere along the bottom edge of the print will be my signature with an assigned unique edition number which will be something like “9/125”.  This specifies that it is the 9th print out of a total of 125.)

When the total number of 125 Giclée prints on this premium canvas at the set size have been produced, no more limited edition prints of this work will ever be produced again.  This is what makes a Limited Edition work both unique, exclusive, and more valuable for a Collector, and the rest of the world – because only a certain number were ever produced, and they are lucky enough to own one of them!

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OPEN EDITION PRINTS

SO WHAT IS AN “OPEN EDITION” PRINT, AND HOW IS IT DIFFERENT FROM A “LIMITED EDITION” PRINT?

An “Open Edition” print is still an acid-free quality archival Giclée reproduction print of a certain work, but the choices of print size dimensions  and surfaces are more varied (with surface choices of medium grade canvas, art paper, photo paper, wood, or metal), and with an unlimited number of prints available.

 

HOW THIS SPECIAL WEBSITE CAN HELP YOU VISUALIZE AND CHOOSE YOUR PRINT OPTIONS:

*Note- One truly wonderful thing about this website is that if you are selecting an open edition print, you can actually see what all the various options (surface, size, mat, frame, etc.) look like on the website!  Toward the bottom right of the page of an individual piece, there is a button that says “Wall Preview”.  After you select your various options from the tables above, you can select the “Wall Preview” button and it will show you the work you are contemplating with the various options you have selected.  Clear as mud yet??  Ok, say you want a print of a particular piece, and you think you want it on metal with a 2” white mat and a barnwood frame.  You go through and easily select these options from the tables.   You are thinking about putting it in your living room above your couch, and wonder just what that might look like...  When you go to the “Wall Preview”, you can select a living room setting (or office, bedroom, nursery, conference room, sitting area, café, reception/lobby, or restaurant!!  In fact, the only thing I think they left out was a bathroom!).  Then you can even choose a color for the room (from the two leading paint companies’ most popular colors or easily create a more individualized color, as well), that matches what you have in your own situation!  Magically the print appears, set up with your mat and frames choices, and in the case of a living room setting, shown over a 7’ couch for scale!  You are now instantly able to make some judgment calls about how it will look in your space.  Does it look too big and dominate the room, or too small and seems swallowed up?  Maybe you don’t really like the barnwood frame and might like a lighter colored maple frame with that print, or decide you might prefer the print on canvas.  You can easily go back and alter your selections until you are satisfied.  You might even decide that the colors of the print just don’t look right with your wall color, and perhaps there is another room where it would fit better.  All of these things are instantly visible for you, and you can continue to play with all the variables until you reach a combination that works for both your budget and your individual tastes.  And this means your satisfaction will be assured because all the choices have been personally selected by you to work in your particular space! 

Open edition prints have no printing limit on them, are not signed or numbered, and are generally a less expensive alternative than the premium Limited Edition prints.  This is a great option for those on a more restricted budget who want to brighten their home or office space with a piece of art that speaks to their soul and makes them smile.

*Note- We all seem to have that one little nook or wall space where only a certain size print could go.  For my open edition prints, I have selected some of the most common sizes for listing on my website.  However, if you have need for a particular height or width that is not shown in the open editions print table, please contact me, either by phone or email, to see if the size you need might be available.  I would love to help you find something that would bring you joy!

 

Fine Art Print Order FAQs

Frequently Asked Questions:

WHAT IS YOUR SHIPPING POLICY? 

AN OPEN EDITION PRINT ORDER WILL SHIP DIRECTLY FROM THE PRINTER TO YOU.  * Shipping times generally range from 1-7 business days. You will receive a tracking number as soon as your order has been shipped. 

A LIMITED EDITION PRINT WILL REQUIRE APPROXIMATELY ANOTHER WEEK, AS IT MUST FIRST SHIP TO ME FOR SIGNING AND NUMBERING, AND WILL THEN SHIP IT DIRECTLY ON TO YOU.  I offer FREE SHIPPING within the Contiguous U.S.  Tracking information will be emailed to you as soon as available. 

For Limited Edition international shipping or expedited shipping, please contact me for a shipping quote.Limited Edition prints 

                                     *Please note:  Due to the Coronavirus, you may experience some unavoidable delays in shipping times.  We thank you for your patience!

HERE IS MY PRINTER'S GENERAL PRODUCTION/SHIPPING SCHEDULE:

Order type Production Time Standard Shipping 2 Day Shipping Next Day Shipping
Paper or Canvas (print only) 5 Bus. Days 3-7+ Bus days* 2-3 Bus. Days 1-2 Bus. Days
Acrylic or Metal (print only) 5 Bus. Days 3-7+ Bus days* 2-3 Bus. Days 1-2 Bus. Days
Print & Frame Presentations 5 Bus. Days 3-7+ Bus days* 2-3 Bus. Days 1-2 Bus. Days
         
         

* Business Days are Mon. - Fri. With our favorable central location, 85% of the Lower 48 experiences shipping times of 3 business days.   

^ Printer stocks some popular sizes, produced much more quickly.  

For US territories outside of the 48 contiguous states (Alaska, Guam, Hawaii, Puerto Rico, Virgin Islands), please expect a few extra business days for shipping on Open Edition prints shipping directly from Printer.   

Note: Orders placed after 10AM EST will go into production the next business day. Please allow 1 additional day if your order placement, production date range or delivery date range falls on one of these holidays: New Year's Day, Good Friday, Memorial Day, Independence Day, Labor Day, Thanksgiving Day, Christmas Day

HOW MUCH DOES THE SHIPPING COST FOR OPEN EDITION PRINTS? 

The shipping price is calculated based on weight coefficient of each item.

Cart Weight Ground Shipping Expedited 2 Day Shipping
Up to 5LBs $ 9.95 $19.95
5 - 10 LBs $15.95 $29.95
10-15 LB $19.95 $39.95
15 LB + $29.95 $49.95

( Please note these are only examples and not actual shipping prices according to weight)

WHEN WILL I RECEIVE MY ORDER FROM THE PRINTER? 

The Printer does their best to ensure your order arrives in a timely manner. In general, most frame orders are processed, produced and shipped within 2-3 business days - and typically arrive in 4-5 business days. Canvas orders are usually produced in 3-4 days, arriving in 5-6 business days. Next day and 2-day express shipping are available, however please note that these options will not affect processing time. International orders typically arrive within 6-10 business via USPS Priority Mail.

CAN OPEN EDITION PRINT ORDERS SHIP TO CANADA/INTERNATIONAL/APO/FPO ADDRESSES? 

Yes. Additional charges may apply. Items will be shipped USPS Priority International or FedEx, per request. 

 

WHAT IS YOUR POLICY ON RETURNS/EXCHANGES/REFUNDS?

We will provide a no charge replacement or refund for any quality issues. We may request to have the presentation / order returned to us and would provide a return shipping label. We do not provide a refund based on customer preference. We will provide a refund or a no charge replacement for any orders damaged in shipping.
For a refund or replacement, please contact DrawnToNatureStudio@gmail.com. There’s a 15% restocking fee that is applied for any order canceled or exchanged.

CAN I CANCEL MY ORDER? 

Unless your order has already gone into production you can cancel it. Please contact DrawnToNatureStudio@gmail.com as soon as possible if you need to cancel your order. 

HOW LONG DOES IT TAKE TO PROCESS A REFUND? 

Processing a refund can take up to 7-10 business days. 

HOW DO I RETURN MY PACKAGE? 

For a refund or replacement, please email DrawnToNatureStudio@gmail.com

WHO TO CONTACT? 

You can reach out to me (Eva) at any time by email at DrawnToNatureStudio@gmail.com

 

LIMITED EDITION BRONZE SCULPTURE

In the bronze sculpture world, the term “Limited Edition” means that a certain sculpted work can be reproduced in bronze a certain number of times.  Limited editions of bronze are generally much smaller than flat art, so it is a much more exclusive piece of art.  Bronze is a very involved process of many layers, but simply put, the original sculpture (generally created in clay or sculpting wax, but could also be wood, plaster, stone, etc.) has a mold made over the original piece.  That original piece is later removed from the mold.  At this point, using the “Lost Wax Process”, a new wax is poured into the mold, which will be basically an exact copy of the original sculpture.  I will stop my description there, as this is only the tip of the very lengthy production process. 

So, back to the definition of limited editions as it pertains to bronze sculpture…  Say, the artist (me) sets the number of limited edition bronze castings to be 25.  This means that only 25 reproductions can be produced from the mold.  Each of these works will be personally signed and numbered by me.  (Located somewhere on the bronze, will be a signature and its unique edition number which will be something like “9/25”.  This specifies that it is the 9th casting out of a total of 25.)  And while this individual sculpture will be the same in shape and texture as the original work, depending on the patina method employed, each will end up with a similar but individual patina (coloration).  Depending on the particular artist, sometimes a Collector will have a say in the type of patina they desire for their specific piece (especially if it is a pre-cast piece).

So, in this example, when a total of 25 sculptures have been produced from the mold, the mold will then be destroyed, and no more of this bronze sculpture will ever be produced.  This is what makes a Limited Edition bronze work so unique and valuable, both for the Collector and the rest of the world – who knows that only a certain number were ever produced, and they are lucky enough to own one of them!

 

 

BRONZE SCULPTURE - THE PROCESS AND ITS PEOPLE, AN INTRODUCTION TO THE WORLD OF BRONZE

I believe Sculpture affects your life quite differently than 2-dimensional art.  Different viewing angles, the play of light and shadow continually changing throughout the day, makes a sculpture continually new to your senses.  The tactile feel of the shapes and planes opens up whole new dimensions to what the eyes can see.  I love each art form for its own unique qualities.  Bronze sculpture is usually pretty mysterious to most people.  Hopefully, the information below will help dispel at least some of the mystery!

DEFINITIONS AND FAQ LINKS

Limited Edition
Pre-Cast Pricing
The Process and Production Time
How Many People Does It Take To Produce A Sculpture?
Time Payment Options
Crating and Shipping
Commissioning a piece of sculpture
Commission Payments

 

WHAT IS MEANT BY THE TERM “LIMITED EDITION” BRONZE?

In the world of bronze, a “Limited Edition” refers to a specified limited number of sculptures that can be produced from the molds of a given original sculpted work.  This number is set by the Artist, and when the last piece in “the run” is cast, the mold is then destroyed, and no more of this bronze sculpture will ever be produced.)  Your sculptural work will come with a “Certificate of Authenticity”, specifying the Artist, copyright, title, dimensions of the work, place of origin, the number in the edition that you are receiving, the size of the edition and artist’s proofs to be produced, and the terms of the Limited Edition.

(*Note- A bronze edition generally has 3 price points – the “Pre-cast” price, the retail price, and then as a Limited Edition nears the last several pieces of its run, prices will rise again until the final piece of the edition is cast.  At that point, the mold is destroyed, and no more of this sculpture will ever be produced.)
 

WHAT IS MEANT BY THE TERM “PRE-CAST” BRONZE?

“Pre-cast bronze” refers to the first time offering of a brand new sculpture, viewed in its original sculpture medium of clay or sculpting wax, and available for order only prior to the first time the Limited Edition sculpture is physically cast in bronze. 

The benefits for the Collector (that’s you!) of a pre-cast order are four-fold: 

  • You get the unique opportunity to purchase a brand new sculpture with a prime low edition number.  Your sculpture will be personally signed and numbered by me, and will mark the start of the Limited Edition.  (The edition number you will receive will generally be determined by the order in which your request is placed.) 
  • You receive the special low introductory price (generally ~20%-25% off the estimated future retail price, calculated from direct quotes by foundry and production staff and based on current production costs for metal, time, and labor estimates). 
  • You have the opportunity to consider what type of patina (finishing coloration) you want your sculpture to receive. 
  • You also get the certain knowledge that you are directly assisting the artist, as pre-cast orders help the artist get the edition started by helping to defray initial costs involved with mold making, wax pouring and chasing, and other foundry and production costs. 

This special Pre-cast order pricing lasts only until the first piece is cast in bronze.  Once the first piece of the edition is cast in bronze, this pre-cast offer goes away, and pricing for the sculpture will rise dramatically to the normal retail price for the rest of the Limited Edition.  (*Note- That price generally holds until the edition nears the end of its run, when prices will rise again until the final piece of the edition is cast.  After that final number is reached, the mold is destroyed, and no more of this bronze sculpture will ever be produced.)

Believe me, I totally understand that the world of Bronze Sculpture can be very confusing!  (It took me 4 days in a foundry to be able to understand all the steps involved!)  I would be very happy to answer any questions you may have, so feel free to reach out, either by phone or email, with any questions or comments!

To take advantage of this exceptional limited-time offering, get your order placed today!  This pricing is only available until the first bronze is cast!
 

WHAT IS THE PROCESS, AND HOW LONG DOES IT TAKE TO PRODUCE A BRONZE SCULPTURE?

In a world of mass produced goods and instant purchases, bronze sculpture is still one of the exceptions.  People who are current collectors of bronze sculpture already understand how long the process of acquiring a bronze can take, but for “first timers”, they are often surprised.  Leaving aside the length of time it takes the artist to actually sculpt a piece (for commissions, this will depend on the complexity of the piece involved), the length of production time for a piece of bronze can range anywhere from 6 - 10 weeks, depending on the schedules of foundry and production artisans).  To understand this wait time, it helps to understand at least a little about the process.

In short, once an original sculpture is created, a silicone rubber mold with a plaster or resin mother mold is made over the sculpture.  The silicone captures all the tiny details and nuances of the original sculpture.  When the mold is set and cured, the mold is opened, and the original sculpture is removed.  The mold is then cleaned and prepared.  For each new sculpture order, a new wax is poured into the mold.  This wax version of the sculpture is then removed, and all imperfections from the wax pour, and seam lines from where the mold fit together are repaired, so that the wax is an exact match to the original sculpture and what the Artist created.  This new wax is then sent to the foundry, where the real production magic begins anew.  Because each piece starts again, this makes each new sculpture unique.  This process may seem long in our daily world of instant gratification, but special unique works of art are worth waiting for - especially when that object that could be handed down through generations, and around for hundreds of years! 

At the time of this posting, I actually have quite a few sculpture pieces currently in my inventory that can ship quickly.  If the piece you are interested in is not in inventory, the general production time listed above will apply.  Once I receive your order, I will be in contact to let you know what to expect, or you can certainly contact me via phone or email with any questions you might have.  If the piece you have selected is meant to be a gift for a certain special occasion, but is not currently in my inventory, a photograph of the sculpture, along with a special announcement, will be sent to help honor their special day.

 

JUST HOW MANY ARTISANS AND OTHERS DOES IT TAKE TO PRODUCE A BRONZE SCULPTURE, AND SHOW IT TO THE WORLD?

My adventures in 3-D work began with a wood carving class in 2000.  In 2003, on one of those rare flukes of fate that cause us to turn right instead of left, I ended up spending 4 days in an east coast foundry seeing one of my wood carvings become my first bronze, and learning how this complicated bronze process works.  I was hooked.  Shortly afterwards, I was perusing a sculpture show in Minneapolis, and randomly stopped two women sculptors (who, oddly, now both live in Colorado) to find out just how much of the actual production process each of them did themselves.  The first one told me that she and her husband, plus one employee, did every job you will see on the list below, except for the actual metal pour.  The second artist told me that she came to sculpture later in life, and so she did what she did best, sculpting!  She let others do all of her production work.  

Each artist has unique skills and abilities, and can choose varying amounts of hands-on participation in the production process.  Some artists turn over total production to foundries and other artisans, sometimes as many as 11 other people!  Due to the level of detail and accuracy in my sculpting style, and as a lifelong DIYer, I doubted I would be totally comfortable with that practice, and after talking with these fellow sculptors, I realized then and there that it would be up to me to decide just how much of this process I was willing to learn and take on.  Over the years, I have gradually learned or participated in most of the various aspects of production, outside of the direct foundry work (spruing, investment, molten metal pours, shell removal and welding), and professional photography.  I appreciate the hands-on quality control this gives me over certain aspects of the production.  Depending on my schedule and other variables, I now do a good portion of my own production work.  These jobs can include mold making, wax pouring, wax chasing, metal chasing, and patina work.  But I have also had to realize that the more time I put into production tasks, the less time and energy I have available for actually creating new art.  As with the rest of life, everything is a tradeoff!  So, I do some of the production some of the time, and turn some of it over to other handpicked independent skilled and trusted artisans when necessary.  This way, I can oversee what is happening and have more control over the final piece.

During shows and exhibitions across the country, I have often heard people mutter about how expensive bronze sculpture is.  Realizing that people really have no idea why bronze is “high-end art”, I finally sat down and made up at least a partial list of all the very skilled people who, both directly and indirectly, have a hand in bringing sculpture to the world.  Click on the job title below to see photos of just what part of the production each artisan is responsible for - those who also earn their livelihoods from the sculptures before you.

Mold Maker

Wax Pourer

Wax Chaser

Foundry Sprue and Gate Person

Foundry Investment Room Operator

Foundry Metal Pourers

Foundry Shell Removal Operator

Metal Chaser and Welder

Patineur

Professional Photographer

Craters

Shippers

Of course, there is the broadening web of others who, while they have no direct hands-on involvement with the sculpture, are still very much a part of bringing the joy of sculpture out into the world to be loved.  They include:

Gallery owners and staff

Show Organizers and staff

Materials and Equipment Suppliers

The Clerical Staff of all businesses

Advertisers

Printers

Insurance companies (Auto, Business, etc.)

Equipment Repair

Auto and Trailer Repair

Motels/Campgrounds

Restaurants/Grocers

The list is truly endless!  And perhaps knowing some of this will help you to view sculpture in a little different light!

 

NEED SOME SUGGESTIONS TO HELP VISUALIZE WHERE YOU MIGHT PLACE A TREASURED SCULPTURE?

Depending on size and esthetics, sculptures can be placed in a variety of locations such as homes, offices, lobbies, entrances, gardens, public art spaces, parks, etc.  Indoors, they can be placed on tables, shelves, pedestals, sometimes even bathtub edges!  Outdoors, they can be placed in rock gardens, on rock walls or railings, on permanent pads or raised base.  (They can even be placed in a water setting as long as their base is slightly above water level.  I have always envisioned my mother alligator and babies from "The Swimming Lesson" in this type of setting!)  Almost all of my pieces are designed and and come set  for anchors that will allow for outdoor placement.  If outdoor placement is something you would be interested in, please contact me to learn more.

 

TIME PAYMENTS

If there is a sculpture that you love, but the cost seems daunting for your current budget, I do offer a 3 – 6 month layaway plan.  Benefits to the Collector who chooses this option are:

  • A reduced initial outlay on your sculpture.
  • Layaway allows you to plan for its arrival when the sculpture is meant to be a secret gift for special person or holiday.
  • It allows new first-time buyers to ease their way into collecting art.
  • If you desire an early casting of new work, you can reserve a certain edition number for your art collection.

If you feel such an arrangement would better fit your needs and budget, please contact me for further details!

 

SALES TAX INFORMATION FOR LIMITED EDITION SALES

Due to changes in the sales tax laws as of January 1, 2019, online sales now require sales tax to be collected for the area where goods are to be shipped.  At this point, because I am a Colorado business, this only applies to art that I ship to addresses within the state of Colorado.

 

SCULPTURE SHIPPING DETAILS - WHAT YOU CAN EXPECT
* I offer free shipping on all bronze sculpture within the Contiguous U.S.

Depending on delicacy, a small bronze piece can often safely be wrapped in polar fleece, bubble-wrapped, and double boxed for shipment.  Most sculpture, however, will require a standard custom foam-in-place crate to properly protect both the bronze and its patina during shipment.  When your sculpture is ready for shipment, I will bring your sculpture to my local shipper, “Shippers Supply”, in Loveland, Colorado.  Due to the large number of fine art bronze foundries in my area (a holdover from the area’s mining days), Loveland, Colorado is the premiere bronze production capital in the US.  Shippers Supply is an expert when it comes to the crating and protection of bronze sculpture, and they provide excellent service.  I will provide them with your shipping address, and you will be provided with a tracking number to follow the shipment's progress and know your delivery date.  Most crated sculpture can go UPS or FedEx.  Only very heavy/large crates need to go FedEx freight.  You are free to make any other shipping arrangements you might wish, or even to pick up your sculpture in person, if that suits you.
If you have any other questions about this, I would be happy to speak with you either by phone or email!



COMMISSIONS?
I always get excited by a new project, and it is my goal that you will come to feel a real part of the creation
of your special sculpture!

  If you are interested in having a piece designed specifically for you and your space, here are some facts about how the
commission  process works:

  • The first thing we will do is sit down together (or online) and confer about ideas you have for your future sculpture - photos and other reference materials, etc., as well as those I have. 
  • We will use reference materials to narrow down a pose/attitude, habitat elements. etc.).  elements and what is appropriate for the chosen species to stand on (branch/ root, soil, rock, ??). 
  • We will talk about your budget for the project and an approximate timeline.
  • We will discuss the various aspects that pertain to the sculpture:  approx finished size for the piece, the size of the limited edition that I will be able to be produced from the mold (I retain all copyrights on my work), the kind of patina (coloration) you think you will want on the finished piece, plus any other wants or issues either of us can think of. 
  • Using this information, I will then create sketches for the project, trying to incorporate what we have discussed and envisioned together. 
  • We will meet again to discuss the sketches and talk about any alterations you would like to see. 
  • Once we have agreed upon the final design, I will assemble quotes for production costs, and come up with a price quote for you. 
  • At that point, we will discuss any alterations that need to be made to the original plan.  If we agree to move forward, I will draw up a standard contract between us, noting all the things we have discussed.  (This protects both of us, by eliminating any surprises.) 
  • Contract and downpayment:  50% of purchase price (non-refundable) is due upon signing.
  • During development stage, I will supply you with photos and running commentary regarding the piece, so you will be kept apprised of its progress and feel a part of its creation. . 
  • As the initial rough sculpting phase moves along, we will “meet” (virtually or in person) twice to discuss the sculpture's progress You, the collector, are allowed to request up to 2 changes from the original design in regards to position (ie, move a leg/foot, angle of body, change of tail, wing, or head position), without additional charges.
  • Upon approval at second meeting, no structural alterations will be made once final detailing work is begun.
  • Final approval of finished sculpture is required before molds are made.  (If not approved, either party may cancel the contract, without further financial obligation.)
  • When wax chasing is complete, 25% of purchase price is due to Artist before the piece will be sent to the foundry.
  • Once the bronze is cast, the raw bronze will move on to the Metal Chaser for chasing and welding.  From there the bronze will go to the Patineur for its patina.
  • The final 25% of the purchase price is due to Artist before shipment of finished piece occurs.

* Note- What you will need to decide (and maybe it will be a combination of the two factors), is do you want to approach this project by dimension or budget?  (If budget is most important for you, that will obviously limit size.)  While I prefer to work life size, I can go in either direction according to your needs for physical size, space available, or esthetics.

As we begin the project and as the piece progresses, I will supply you with photos and running commentary regarding the piece, so you will be kept apprised of its progress and truly be an active part of its creation.

So let’s put our heads together, and see is we can make our individual visions meld into a stunning sculptural treasure that will bring you joy and happiness for years to come!
 


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